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It was as if a bubble had been burst, a bubble in which a generation of moviegoers, filmmakers, and moviegoers who will be filmmakers, were growing up in a limited exposure, pre-internet India. And Aamir Khan had brought about that change.” In 2013, in an event to mark the centenary of Indian cinema, when he was asked to pick the most significant turning point in Hindi cinema, Johar, unsurprisingly, picked 2001. I felt, suddenly in that year, the syntax of cinema had changed.
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“There was a part of me that got a little afraid. No one tells it better than Karan Johar, in his memoir “An Unsuitable Boy”, where he writes how watching Lagaan, and Dil Chahta Hai, landed joint blows to his confidence as a filmmaker. Both starring Aamir Khan, the films had a kind of combined impact on Bollywood. Dil Chahta Hai was reflecting the changing aspirations of a new India. Lagaan was mirroring the rise of a new Indian cricket team. What’s extraordinary about these two classics is their timing, in our lives, in cricket, in Hindi cinema, in India. There were great years, like 2006 ( Rang De Basanti, Lage Raho Munnabhai). There were good films and bad films before Lagaan and Dil Chahta Hai, as there were after. Childhood years are tricky business nostalgia is worse. Looking back, it seems as though everything in mainstream Bollywood that came before Lagaan and Dil Chahta Hai was so naive-even if that’s not true. It was the end of the 90s and the beginning of the 2000s.